Daniela Carati “In un modo o in un altro”
Francesca Galliani in “je suis superbe”, kind of recalling Irina Ionesco
Mery Ellen Mark “Sul set di Satirycon di Fellini”
Zoè Gruni”Copricorpo 1″
Dorothy Hong “Sway girls”
Silvia Levenson “Something wrong”
Shirin Neshat “Mahdokht”
BLAME the botox
CRASH through the indolence
DEAL with magic
ENHANCE your consciousness
FACE your ambition
GRAB your chance
HOST the passion
JAR the japs
KILL the hypocrisy
MAKE joyful noise
NOTIFY your attitude
OVERDO the differences
PERSUE the uncertainity
QUIT the indifference
RERSERVE your hate
SPEAK in a loud voice
VIOLATE the sanctuary
ZERO fill the stupidity
43 artists – three generations of contemporary female artists: Marina Abramovic, Vanessa Beecroft, Connie Bellantonio, Stefania Beretta, Daniela Carati, Silvia Camporesi, Sandra Chiesa, Alessia De Montis, Niki De Saint-Phalle, Tracy Emin, Ivana Falconi, Limbania Fieschi, Francesca Galliani, Nan Goldin, Zoé Gruni, Dorothy Hong, Meret Oppenheim, Carla Iacono, Mirta Kokalj, Noris Lazzarini, Silvia Levenson, Manon, Federica Marangoni, Mary Ellen Mark, Malena Mazza, Paola Mongelli, Charlotte Moormann, Shirin Neshat, Anna Oberto, Yoko Ono, Orlan, Gina Pane, Alessandra Pedonesi, Carol Rama, Elettra Ranno, Bettina Rheims, Gretta Sarfaty, Carolee Schneemann Sandy Skoglund, Berty Skuber, Kiki Smith, Alessandra Vinotto, Laura Zicari for an autoironic message starting in the 40ies and arriving to nowadays, chosen by the curators Caterina Gualco and Clelia Belgrado
Related to the exhibition I went to Odeon (Florence) during its new venture “The Screen of Arts” to watch Shirin Neshat’s film, “Women without Men” , which was presented at Venice Biennale with a green carpet.
I was very upset I could not go to the meeting with the director because of a winter storm that kept me prisoner on the hill where I live.
Terrible yet fascinating faces, bodies recalling painting history in the hammam, and Ophelia, one of my favourite figures ever, even if all very artificial images, still give a portrait of a reality with universal feelings.
Eugenia Loli . A sense of danger and urgency
20th Century Female Protagonists at Palazzo Pitti
Gali Cnaani’s Textile Art
Witch is not a Four Letter Word: Costumes and Rituals in Bolivia
Through-the-Carpet Reality by Faig Ahmed
György Kepes . Camouflage from the air, what light patterns do
Surreal worlds in dynamic collage prints by Simon A. Kjær
Reading is in Fashion. Books are Fashion Food.
Domenico Romeo: intimacy in a flow of signs.
Fashion distortion in the work of Jesse Draxler and Jen Whitaker
Emo De Medeiros and the Mempo Protecting Angel
I feel ya: The Exhibition with SCAD + André 3000 exhibits in Miami