Design Catwalk
Katsuya Kamo and his 100 Headpieces

Katsuya Kamo and his 100 Headpieces
When I was a child I had often the same dream: a caravan of soldiers were wearing helmets made of stone. I was very scared during those nights, because I couldn’t see their eyes, even if I have to admit it was a very sophisticated performance for a night sleeping.
Mastering the art of hair styling, 100 Headpieces is a new exhibition displaying many of Katsuya Kamo designs, he started to work in fashion with Junya Watanabe at Comme des Garçons in 1996 and since than he collaborated with big names of fashion as Fendi, Chanel and Maison Martin Margiela, Vogue, The New York Times and Dazed & Confused. Amazing pieces of art for one of the most popular Hair styling alive, imaginary meets outer worlds in a personal artistic
journey.

When I was a child I had often the same dream: a caravan of soldiers wore helmets made of stone. I was very scared during those nights, because I couldn’t see their eyes which were completed covered with the stone, even if I have to admit it was a very sophisticated performance for a night sleeping.

Mastering the art of hair styling, 100 Headpieces is a new exhibition displaying many of Katsuya Kamo designs, he started to work in fashion with Junya Watanabe at Comme des Garçons in 1996 and since then he collaborated with big names of fashion as Fendi, Chanel and Maison Martin Margiela, Vogue, The New York Times and Dazed & Confused. Amazing pieces of art for one of the most popular Hair styling alive, imaginary meets outer worlds in a personal artistic journey.

Morethanlove

via tokyofashiondiaries

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Morethanlove . Creative director and Editor in Chief
She’s born in the same day of the fashion icon Diana Vreeland, she covered the role of communication consultant for both national and international fashion brands, Enza is Design Catwalk Digital Director and founder, her work as Art Director includes the likes of: Lacoste, Ermenegildo Zegna, Grand Hotel et de Milan, Digital director for WHITE Fashion show.

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